Drybones is a brand new band, but its members are well acquainted with the stage. Each of the three brings a particular flavour - Leonard Podolok's wry sense of humour; Nathan Rogers' fiery insight, and J. D. Edwards lonesome howl. And that's just the beginning - proving once again that folk music is alive and well. Some say Nathan Rogers was born into it, some that he was born with it, while others claim he has earned it. With one foot planted firmly in folk music_x0019_ s traditional roots and the other reaching into its dynamic future, Nathan Rogers isn_x0019_ t entirely sure what _x0018_ it_x0019_ is; singer, songwriter, guitarist, throat-chanter, percussionist, revivalist, or innovator. Whatever it may be, _x001C_ Nathan has the ability to turn the folk world on its ears._x001D_ Like many, it all started at home but what a unique home it was. Nathan_x0019_ s first experience picking up the guitar was an attempt to copy the challenging riffs his brother David created after studying with celebrated virtuosos Don Ross and Preston Reed. His sister Beth demanded perfection in all vocals as any self-exacting classical voice teacher would, while his mother initiated him into the business side of the music industry. His father and uncle informed both his writing style and an ethos of Canadian people that shines in his lyrics. While others were hiding their braces behind their hands, Nathan was already up high on stages of all sorts. Before he even had an album in hand, Nathan_x0019_ s reputed vocal ability had him singing on stage with such notables as JP Cormier, The Oysterband, Spirit of the West, John Cameron, Connie Caldor and James Keelaghan. With a degree in comparative religion, an award winning voice and two prized Laskin guitars under his belt, Nathan founded his own record label, Halfway Cove Music. In 2005 he finally released his debut album, True Stories. Produced by Rick Fenton (former AD of Winnipeg Folk Festival), distributed by Festival and studded with such outstanding roots musicians as Nikki Mehta, JP Cormier, and Murray Pulver, True Stories was met with critical acclaim both at home and abroad. If multiple encores at every show are any indication, Canadian audiences coast-to-coast seem to like it too. Nathan_x0019_ s performance style leaves the audiences wondering where the rest of the band is hiding. Singing, chanting, playing the guitar and stomping, he fills any stage with _x001C_ magnificent powerfully clear lyrics and arrangements._x001D_ Described as _x0018_ intelligent and witty_x0019_ , Nathan will _x0018_ move men and women to tears with his sound and conviction._x001D_ Nathan continues to earn his place in the Canadian folk and blues canon. As Fenton noted, _x001C_ I have never seen any musician Nathan_x0019_ s age who works so hard on his singing and guitar playing._x001D_ Nathan has recently become an adept throat singer, specializing in the Tuvan and Mongolian styles. A cultural tour-de-force in his own right, Nathan now brings a uniquely eastern favour to a western tradition.
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